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Bracken, S., Hill, R. (2012) Sir Isaac Wake, Venice and art collecting in early Stuart England: a new document. Journal of the History of Collections, 24. 183-198 doi:10.1093/jhc/fhr020

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Reference TypeJournal (article/letter/editorial)
TitleSir Isaac Wake, Venice and art collecting in early Stuart England: a new document
JournalJournal of the History of Collections
AuthorsBracken, S.Author
Hill, R.Author
Year2012 (July 1)Volume24
PublisherOxford University Press (OUP)
DOIdoi:10.1093/jhc/fhr020Search in ResearchGate
Generate Citation Formats
Mindat Ref. ID9177813Long-form Identifiermindat:1:5:9177813:0
GUID0
Full ReferenceBracken, S., Hill, R. (2012) Sir Isaac Wake, Venice and art collecting in early Stuart England: a new document. Journal of the History of Collections, 24. 183-198 doi:10.1093/jhc/fhr020
Plain TextBracken, S., Hill, R. (2012) Sir Isaac Wake, Venice and art collecting in early Stuart England: a new document. Journal of the History of Collections, 24. 183-198 doi:10.1093/jhc/fhr020
In(n.d.) Journal of the History of Collections Vol. 24. Oxford University Press (OUP)

See Also

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Hill, R. (2003) Ambassadors and art collecting in early Stuart Britain: The parallel careers of William Trumbull and Sir Dudley Carleton, 1609-1625. Journal of the History of Collections, 15. 211-228 doi:10.1093/jhc/15.2.211
Hill, R., Bracken, S. (2014) The ambassador and the artist: Sir Dudley Carleton's relationship with Peter Paul Rubens: connoisseurship and art collecting at the court of the early Stuarts. Journal of the History of Collections, 26. 171-191 doi:10.1093/jhc/fht042
Bracken, S. (2015) The Image of Venice. Fialetti's View and Sir Henry Wotton. Journal of the History of Collections, 27. 123-124 doi:10.1093/jhc/fhu067
McCaffrey-Howarth, Caroline (2023) The Empress Eugénie in England: Art, architecture, collecting. Journal of the History of Collections, 35 (3) 543-545 doi:10.1093/jhc/fhad003
Chun, D. (2001) Public display, private glory: Sir John Fleming Leicester's gallery of British art in early nineteenth-century England. Journal of the History of Collections, 13. 175-189 doi:10.1093/jhc/13.2.175
Heard, K. (2005) The Evolution of English Collecting: Receptions of Italian art in the Tudor and Stuart periods. Journal of the History of Collections, 17. 120-121 doi:10.1093/jhc/fhi008
Isaac, Gwyneira, Isaac, Barbara (2016) Uncovering the demographics of collecting. Journal of the History of Collections, 28. 209-223 doi:10.1093/jhc/fhv027
Gleissner, S. (1997) Kings and Connoisseurs. Collecting art in seventeenth-century Europe. Journal of the History of Collections, 9. 174-177 doi:10.1093/jhc/9.1.174
Amendola, Adriano (2016) Collecting copper plates between Venice and Rome in the seventeenth century. Journal of the History of Collections, 28. 161-173 doi:10.1093/jhc/fhv011
Clark, Leah R (2023) The Art Collector in Early Modern Italy: Andrea Odoni and his Venetian palace. Journal of the History of Collections, 35 (1) 197-198 doi:10.1093/jhc/fhac027
Kurtz, D. (2008) The concept of the classical past in Tudor and early Stuart England. Journal of the History of Collections, 20. 189-204 doi:10.1093/jhc/fhn018
 
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