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Hradil, David, Hradilová, Janka, Bezdička, Petr, Serendan, Cristina (2017) Late Gothic/early Renaissance gilding technology and the traditional poliment material “Armenian bole”: Truly red clay, or rather bauxite?. Applied Clay Science, 135. 271-281 doi:10.1016/j.clay.2016.10.004

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Reference TypeJournal (article/letter/editorial)
TitleLate Gothic/early Renaissance gilding technology and the traditional poliment material “Armenian bole”: Truly red clay, or rather bauxite?
JournalApplied Clay Science
AuthorsHradil, DavidAuthor
Hradilová, JankaAuthor
Bezdička, PetrAuthor
Serendan, CristinaAuthor
Year2017 (January)Volume135
PublisherElsevier BV
DOIdoi:10.1016/j.clay.2016.10.004Search in ResearchGate
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Mindat Ref. ID10366844Long-form Identifiermindat:1:5:10366844:6
GUID0
Full ReferenceHradil, David, Hradilová, Janka, Bezdička, Petr, Serendan, Cristina (2017) Late Gothic/early Renaissance gilding technology and the traditional poliment material “Armenian bole”: Truly red clay, or rather bauxite?. Applied Clay Science, 135. 271-281 doi:10.1016/j.clay.2016.10.004
Plain TextHradil, David, Hradilová, Janka, Bezdička, Petr, Serendan, Cristina (2017) Late Gothic/early Renaissance gilding technology and the traditional poliment material “Armenian bole”: Truly red clay, or rather bauxite?. Applied Clay Science, 135. 271-281 doi:10.1016/j.clay.2016.10.004
In(2017) Applied Clay Science Vol. 135. Elsevier BV

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Hradil, David, Hradilová, Janka, Bezdička, Petr, Matulková, Irena (2017) Kaolinite-alunite association in late Gothic white grounds from Slovakia: A local peculiarity in painting technology. Applied Clay Science, 144. 79-87 doi:10.1016/j.clay.2017.05.004
Hradil, David, Hradilová, Janka, Holcová, Katarína, Bezdička, Petr (2018) The use of pottery clay for canvas priming in Italian Baroque – An example of technology transfer. Applied Clay Science, 165. 135-147 doi:10.1016/j.clay.2018.08.011
Hradil, David, Hradilová, Janka, Bezdička, Petr, Švarcová, Silvie (2015) Differentiation between anonymous paintings of the 17th and the early 18th century by composition of clay-based grounds. Applied Clay Science, 118. 8-20 doi:10.1016/j.clay.2015.08.038
Hradil, David, Grygar, Tomáš, Hradilová, Janka, Bezdička, Petr (2003) Clay and iron oxide pigments in the history of painting. Applied Clay Science, 22. 223-236 doi:10.1016/s0169-1317(03)00076-0
Hradil, David, Hradilová, Janka, Lanterna, Giancarlo, Galeotti, Monica, Holcová, Katarína, Jaques, Victory, Bezdička, Petr (2020) Clay and alunite-rich materials in painting grounds of prominent Italian masters – Caravaggio and Mattia Preti. Applied Clay Science, 185. 105412pp. doi:10.1016/j.clay.2019.105412
Hradil, David, Hradilová, Janka, Bezdička, Petr (2020) Clay Minerals in European Painting of the Mediaeval and Baroque Periods. Minerals, 10 (3) 255 doi:10.3390/min10030255
Bezdička, Petr, Hradilová, Janka, Hradil, David (2013) Analysis of clay minerals in the fine art as a part of provenance studies. Acta Crystallographica Section A Foundations of Crystallography, 69. doi:10.1107/s0108767313097894
Švarcová, Silvie, Hradil, David, Hradilová, Janka, Kočí, Eva, Bezdička, Petr (2009) Micro-analytical evidence of origin and degradation of copper pigments found in Bohemian Gothic murals. Analytical and Bioanalytical Chemistry, 395 (7) 2037-2050 doi:10.1007/s00216-009-3144-7
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Hradil, David, Hradilová, Janka, Bezdička, Petr, Vlčková, Jitka (2009) Mineralogical and art-historic traits in investigation of 'anonymous' paintings. Acta Crystallographica Section A Foundations of Crystallography, 65. doi:10.1107/s0108767309096056
Čermáková, Zdeňka, Hradil, David, Bezdička, Petr, Hradilová, Janka (2017) New data on “kerolite–pimelite” series and the colouring agent of Szklary chrysoprase, Poland. Physics and Chemistry of Minerals, 44 (3) 193-202 doi:10.1007/s00269-016-0848-z
 
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