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Hradil, David, Hradilová, Janka, Holcová, Katarína, Bezdička, Petr (2018) The use of pottery clay for canvas priming in Italian Baroque – An example of technology transfer. Applied Clay Science, 165. 135-147 doi:10.1016/j.clay.2018.08.011

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Reference TypeJournal (article/letter/editorial)
TitleThe use of pottery clay for canvas priming in Italian Baroque – An example of technology transfer
JournalApplied Clay Science
AuthorsHradil, DavidAuthor
Hradilová, JankaAuthor
Holcová, KatarínaAuthor
Bezdička, PetrAuthor
Year2018 (December)Volume165
PublisherElsevier BV
DOIdoi:10.1016/j.clay.2018.08.011Search in ResearchGate
Generate Citation Formats
Mindat Ref. ID10367777Long-form Identifiermindat:1:5:10367777:6
GUID0
Full ReferenceHradil, David, Hradilová, Janka, Holcová, Katarína, Bezdička, Petr (2018) The use of pottery clay for canvas priming in Italian Baroque – An example of technology transfer. Applied Clay Science, 165. 135-147 doi:10.1016/j.clay.2018.08.011
Plain TextHradil, David, Hradilová, Janka, Holcová, Katarína, Bezdička, Petr (2018) The use of pottery clay for canvas priming in Italian Baroque – An example of technology transfer. Applied Clay Science, 165. 135-147 doi:10.1016/j.clay.2018.08.011
In(2018) Applied Clay Science Vol. 165. Elsevier BV

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Hradil, David, Hradilová, Janka, Lanterna, Giancarlo, Galeotti, Monica, Holcová, Katarína, Jaques, Victory, Bezdička, Petr (2020) Clay and alunite-rich materials in painting grounds of prominent Italian masters – Caravaggio and Mattia Preti. Applied Clay Science, 185. 105412pp. doi:10.1016/j.clay.2019.105412
Hradil, David, Hradilová, Janka, Bezdička, Petr, Serendan, Cristina (2017) Late Gothic/early Renaissance gilding technology and the traditional poliment material “Armenian bole”: Truly red clay, or rather bauxite?. Applied Clay Science, 135. 271-281 doi:10.1016/j.clay.2016.10.004
Hradil, David, Hradilová, Janka, Bezdička, Petr (2020) Clay Minerals in European Painting of the Mediaeval and Baroque Periods. Minerals, 10 (3) 255 doi:10.3390/min10030255
Hradil, David, Hradilová, Janka, Bezdička, Petr, Matulková, Irena (2017) Kaolinite-alunite association in late Gothic white grounds from Slovakia: A local peculiarity in painting technology. Applied Clay Science, 144. 79-87 doi:10.1016/j.clay.2017.05.004
Hradil, David, Hradilová, Janka, Bezdička, Petr, Švarcová, Silvie (2015) Differentiation between anonymous paintings of the 17th and the early 18th century by composition of clay-based grounds. Applied Clay Science, 118. 8-20 doi:10.1016/j.clay.2015.08.038
Hradil, David, Grygar, Tomáš, Hradilová, Janka, Bezdička, Petr (2003) Clay and iron oxide pigments in the history of painting. Applied Clay Science, 22. 223-236 doi:10.1016/s0169-1317(03)00076-0
Bezdička, Petr, Hradilová, Janka, Hradil, David (2013) Analysis of clay minerals in the fine art as a part of provenance studies. Acta Crystallographica Section A Foundations of Crystallography, 69. doi:10.1107/s0108767313097894
Grygar, Tomáš, Hradilová, Janka, Hradil, David, Bezdička, Petr, Bakardjieva, Snejana (2003) Analysis of earthy pigments in grounds of Baroque paintings. Analytical and Bioanalytical Chemistry, 375 (8) 1154-1160 doi:10.1007/s00216-002-1708-x
Hradil, David, Hradilová, Janka, Bezdička, Petr, Vlčková, Jitka (2009) Mineralogical and art-historic traits in investigation of 'anonymous' paintings. Acta Crystallographica Section A Foundations of Crystallography, 65. doi:10.1107/s0108767309096056
Švarcová, Silvie, Bezdička, Petr, Hradil, David, Hradilová, Janka, Žižak, Ivo (2011) Clay pigment structure characterisation as a guide for provenance determination—a comparison between laboratory powder micro-XRD and synchrotron radiation XRD. Analytical and Bioanalytical Chemistry, 399 (1) 331-336 doi:10.1007/s00216-010-4382-4
Bezdicka, Petr, Hradil, David, Hradilová, Janka (2016) Provenancing of clay-based pigments in paints using quantitative X-ray micro-diffraction analysis. Acta Crystallographica Section A Foundations and Advances, 72. doi:10.1107/s2053273316097436
 
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